The Human Condition Trilogy

The Human Condition is Masaki Kobayashi’s harrowing ten-hour trilogy about a Japanese pacifist in WWII.

The films are beautiful, heartbreaking, and a true testament to the human spirit.

No Greater Love

human condition

We meet Kaji, our protagonist, as he contemplates the upcoming war. He gets married to his sweetheart Michiko despite his worry for the future. His luck seems to change when he gets exempted from the draft and gets a job managing a labor camp in Japanese occupied Manchuria.

human condition

The labor camp is a very interesting setting both narratively and visually. The rolling hills of dirt are not the epic location you think of when of WWII. However, after watching the film, I cannot help, but think of them whenever I imagine the Eastern Front.

At the camp, it is very clear that they are under staffed and overworked. The Manchu workers themselves are worked to death and there is every incentive to do just that. Kaji insists are treating the workers like human beings, but his superiors blow him off.

But, things aren’t that bad until the POWs arrive.

The Military Police orders that the POWS be kept behind an electric fence. Things slowly deteriorate and some of the POW are accused of crimes they didn’t commit. Kaji tries to strand up for them, but they are still executed.

Kaji is taken to prison, interrogated, tortured, and then drafted into the military.

Road to Eternity

human condition

Kaji fares well in the military. He is a model solider, but is under constant suspicion because of his past.

This film was the inspiration for Stanley Kubrick’s Full Metal Jacket. The Private Pyle subplot was completely lifted from Road to Eternity and many shots look very similar.

After training, Kaji gets sent out to the front and combat deeply changes him. After the vast majority of his unit is wiped out in his first battle he is desperate to make it back to his wife.

A Soldier’s Prayer

human condition

Kaji and two other soldiers make the arduous journey back towards friendly territory. Along the way they see what the war has done to the land.

This is definitely the most heartbreaking of the three. Eventually, Kaji is captured by the Soviets and works at a labor camp in a situation that mirrors the first film. The situation is even worse than when they were wandering in the middle of nowhere.

Kaji tries to advocate for himself and his people with the Soviets, but it is no use. Eventually he escapes and vanishes in the snow.

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I intentionally glossed over some major points in the film. You should definitely check it out! These are some of the most important films ever made and are (for at least now) my favorite films.

The Human Condition shows us the evil of war and ideology, but also gives us hope for a better future.

The trilogy is available to watch (in some form) on Filmstruck, Amazon, and YouTube.

Thanks for reading! Remember to subscribe to this blog and my email list to never miss a post!

 

Chronicles of Weeaboo- Chapter 3

Another episode of The Chronicles of Weeaboo has been completed!

Read about Chapter 1.
Read about Chapter 2.

This one was especially interesting because I couldn’t get all the locations I wanted. Luckily, I found a soultion that worked better!

In this episode, Wally recieves help from a familar face that puts him back on track for his adventure.

I hope you enjoy it!

Special thanks to Trisha Wheeler for awesome performance as Kyoko!

Happy Lizards

Last week while watering my plants, I came across a little group of lizards (Carolina Anoles) sunning in a patch of kudzu.

This is a pretty ordinary sight around my house, but the lizards were in absolute bliss in the warmth. They stretched and turned to get every inch of their skin in the light.

Luckily, I got my camera in time to capture the experience in 24 fps.

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I’m really grateful to live in a time where people can share these experiences so quickly and in high quality with one another.

Check out The Nerdy Naturalist for more of my wildlife stuff. If you like the content, please considering donating to the Patreon.

Please follow me a on this blog nd join my email list, so you never miss a post!

The Chronicles of Weeaboo- Chapter 2

Read about Chapter 1. 
Read about Chapter 3. 

I didn’t have a chance to write about the newest episode of The Chronicles of Weeaboo when it was released, so now is a as good a time as any.

The premise of this episode is interesting to say the least.

Wally (Jack Kujo) tries to buy a mech suit from Jeff (Walker Harris), but gets his car stolen and discovers a dark secret.

Production started off rough with Jack and I being stranded on the side of highway.

The rest in the went well though thanks to my awesome team! Jack and Walker are great actors (and crew when necessary).

I hope you all enjoy it.

The Chronicles of Weeaboo

Last week, I released the first episode of a web series that I created with my friend, Jack Kujo.

The Chronicles of Weeaboo follows Wally Smith on his quest to save his waifu. The whole series is an absurdist romp through Otaku culture and self ignorance.

Loosely inspired by a video we made together a few months ago, we aim to make something new by combing elements from disparate forms of media and our own warped sense of humor.

We are filming the series as our schedule allows, so please be patient with us!

Subscribe to Dysfunctional Films to keep up to date!

 

 

 

 

Loving Vincent

Loving Vincent, is the first feature film to be entirely painted. While this achievement is momentous enough to receive attention, the underlying story of the film and its production is even more magnificent!

Loving Vincent Review

The film started out as a simple idea in the mind of co-director Dorota Kobiela. She had been reading the letters of Vincent van Gogh and fell in love with them. She decided that she should make a short film about the famous artist, hand painting each frame herself.

After receiving a grant for the short,  Kobiela started working for BreakThru Studios as an animator and a concept artist. There she met the other co-director of the film, Hugh Welchman who thought her short might have more potential as a feature film. 

The film is an interesting combination of CGI and oil-paintings that bring the world of Van Gogh’s paintings to life.

Loving Vincent Review

To achieve this stunning look, the filmmakers separated the animation process from the painting process. They would shoot reference footage of the actors against a green screen, then the artists would paint the actors and the background into the scene frame by frame.

The distortion of Van Gogh’s original paintings proved to become an issue for film translation. A post production team was on set throughout principal photography to ensure that the footage shot would actually be usable.

Aside from the spectacle of the visuals, the story of Loving Vincent, is what distinguishes the film from other biopics like it. The film follows the aftermath a year after Vincent van Gogh’s suicide. We only get glimpses at the artists through the eyes of other people, but doesn’t make him any less sympathetic or what he did any less sad.

Loving Vincent Review

We see how it affected the residents of the artist’s final destination and the people who were closest to him. Whoever they were, his death affected them greatly.

The most valuable thing about Loving Vincent, is not the dazzling visuals; it is the added dimension we receive the a great man like Vincent van Gogh. Throughout the film, the viewer witnesses pivotal moments in the artist’s life that shaped him and perhaps destroyed him.

What did you think of the film? Do you have any suggestions for what film I should watch next?

Let me know in the comments!

 

 

Why Make Films?

Film is a popular industry. People pay billions of dollars every year to essentially sit in front of a large piece of fabric and watch images flicker by quickly. Why is that?

In this rational, scientific age Film seems the be the only form of magic left in the world. It entrances, inspires, and even bewilders us. The Federal government even archives these mystical images for future generations to behold.

Why people watch films varies from person to person. Some people enjoy a spectacle, some want to learn something, and others simply want to past the time.

Stranger still, some people dedicate their entire lives to creating images for other people to watch. Do they do it for the money? Why else would they do it?

The art of Filmmaking has seduced geniuses, idiots, saints, and the some of the most evil people in history to its siren song. This is why.

Creating New A World

“If it can be written, or thought, it can be filmed.”

-Stanley Kubrick

Fictional world-building has existed long before the invention of the camera, but it has never been so real and awe-inspiring.

Why Film?

A film can transport you across time and space in a way that no other medium of art can. You experience the world of the film as you experience the majority of the real world; through dynamic sight and sound.

Simple lighting tricks or a different lens can make you totally engrossed into the world of the film/

Even lines drawn by a pen, are perceived as living creatures through the power of Film. Nothing is impossible when it comes to Filmmaking.

Strong Reactions

“Where film is infinitely superior to any other medium is emotion and story and character. ”

-Peter Jackson

I love music, literature, theater, and various visual arts, but nothing has a stronger effect on me than Film.

Images that cause you to feel real emotion and sounds to reinforce that emotion. Unlike literature or theater, you see,  hear, and feel the story unfold in the way that will have the most impact on you.
Why Film?

Film is all about the audience’s reaction. It is specially crafted to get the desired response. It requires a sort of empathy with the moviegoer that the other arts don’t require.

To be the person that makes the audience laugh, think, or be emotional is a very gratifying position to hold.

Uncovering the Truth

“Photography is truth. The cinema is truth twenty-four times per second.”

-Jean-Luc Godard

I originally wanted to be an ornithologist. I spend hundreds of hours birding and volunteering for bird banding projects. When I made the decision to become a filmmaker instead, I didn’t want to give all that up.

I made my first documentary short about bird banding on Jekyll Island. In my  mind, it was the perfect way the combine both of interests with the added benefit of exposing more people to the awesome work they do.

Why Film?

Documentaries have been some of the most visceral films I have ever seen. They expose the secret world (good and bad) that we live in and let us know what is happening.

Film has the power to expose great causes and information to millions of people. Simply by recording and editing images, you can change the world.

Thanks for stopping by! Why do you think Film is important? Let me know in the comments and don’t forget to follow this blog for weekly updates!

Why I Love The Greasy Strangler- A Video Essay

In this episode of Pulling Focus with Ethan Hatchett, I discuss The Greasy Strangler.

The film is a personal of favorite of mine for various reasons explored in the video. It has influenced a lot of my more bizarre work and I generally hold the film in high esteem for existing at at all.

I hope you all enjoy the video and give The Greasy Stranger a chance!

5 Unique 2017 Films

Great films come out every year, but truly unique films are hard to find. Luckily, 2017 was full of films with distinct voices.  Here are five films from last year that I thought were truly special.

  1. A Ghost Story (Directed by David Lowery)

A Ghost Story is the kind of film that sticks with you for the rest of your life. This film is a testament to what a talented filmmaker can do with a small budget and a great idea.

The film’s premise is simple; Casey Affleck and Rooney Mara are a couple and one day Affleck dies unexpectedly. Affleck becomes a ghost and “haunts” their house. It is a very cliched premise, but David Lowery does something amazing (and unexpected with it) with it.

The look of the film is one of the most unique aspects. They shot with Panavision Super and Ultra Speeds for a shallower depth of field and more a natural look.

The aspect ratio is also a unique contributor to the film’s look. The film is 4:3  instead of 16:9 because, as Lowery explained, “I liked the concept of trapping this character in a box, in a very formal fashion. I’ve always been a fan of that aspect ratio. It’s 1.33:1, the classic Academy ratio.”

2. The Killing of a Sacred Deer (Directed by Yorgos Lanthimos)

Yorgos Lanthimos has quickly become one of my favorite contemporary filmmakers with films like Alps, Dogtooth, and The Lobster. The Killing of a Sacred Deer is my favorite work by Lanthimos so far and makes me excited to see what he has next for us.

The story is based around Steven (Colin Farrell), a cardiologist , who takes Martin (Barry Keoghan), under his wing after his father dies. Things turn dark when Steven’s family suddenly starts becoming ill.

It is hard to articulate exactly what makes the film unique. Everything from the choice of camera placement to the timing of words spoken in any given scene is different from many films that came out in 2017. It exudes style. Lanthimos has developed a very clear and effective voice that is unique in the world of film.

The film is tense, funny, and horrifying at times, but it never strays from its eerie tone. Barry Keoghan has an amazing performance, shifting from vulnerable youth to intimidating certainty. It possess the odd delivery of dialogue that is present in Lanthimos’ films, which may annoy some viewers, but I believe it sets the tone very well.

3. The Florida Project (Directed by Sean Baker)

The Florida Project is more understated than the other films on this lost, but it is just as special.

The story follows and group of children who live at a motel in Orlando, FL. There is love, laughs, tragedy, and an ending that annoyed everyone.

As an indie guy myself, Sean Baker is an inspiration. The Florida Project is one of the best and most talked about films of 2017 and it was shot on an iPhone with a cast of mostly unknown actors.

Baker’s voice is unique because of his style and subject matter. A good summation of his films can be summed up in this quote:”When I see a billboard that literally just has five names and they’re all A-listers, I’m just like, What is that bringing to the world that’s new?”

The best word I can use to describe the film simply be raw. It is 115 minutes of raw emotion from such simple images such as children playing in a parking lot.

4. Good Time (Directed by Josh and Benny Sadfie)

Good Time is a film that not talked about enough. The Sadfie brothers are another unique voice in film and this gem should not be overlooked.

Following the trend of simple stories, Good Time is about two brothers (Robert Pattinson and Benny Sadfie) who try to rob and bank and fail. One goes to jail while the other tries to free him.

The film is super fast paced and flies by super quickly. The viewer is quickly invested in the story by the amazing performances and cinematography. Despite the simplicity of the story, you never see what comes next because you simply don’t have time to!

Good Time excels at making you feel as though you were in the situation. You feel just as tense as Robert Pattinson and understand him completely. The relationship between to the two brothers is bittersweet and carries the film well.

5. Ingrid Goes West (Directed by Matt Spicer)

With its eerily realistic premise, Ingrid Goes West is one the better dark comedies made in the last decade.

The story follows Ingrid (Aubrey Plaza), as she moves to Los Angeles to stalk an Instagram user (Elizabeth Olsen) whom she idolizes.

Aubrey Plaza is my favorite part of the film. She really surprised me with her performance. Instead of the deadpan character she normally portrays, she actually pulled off a deeper character who was sympathetic and vulnerable while still being dark and quirky.

I admire that Ingrid Goes West is a fully fleshed out film instead of the gimmicky teen comedy I feared it would be. I like how it doesn’t judge its characters for their quirks and just tells the story. It could have easily turned into schlock, but I appreciate the more nuanced version that we got.

What did you think of my list? Are there any films that you thought were especially unique from last year?

Let me know in the comments!